In times of conflict, language and image are spun to shape perceptions of reality and it is through the characterizations and emotional coloring of the media’s visual language and their choice of terminology that events are interpreted, explained, and experienced. Just as symbolic religious language gives meaning and an interpretation to the world, so also the images and language of the media present a filter through which people view the world and react to unfolding events. To the extent that this language is adopted, accepted, and disseminated by the media and absorbed by the average citizen, it becomes an instrument in defining the role and shaping the response of the general public. In this way the visual and aural language of the mass media in times of crisis acquires a real potency and currency - one that is countered only through the growth and accessibility of alternate sources, through grassroots connectivity, and through our growing ability to filter out bias and spin.
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